KIROV BALLET AND ORCHESTRA
The younger dancers have their moment this week, in four of William Forsythe’s decadent, radical ballet reconfigurations: “Steptext,” “Approximate Sonata,” “The Vertiginous Thrill of Exactitude,” and “In the Middle, Somewhat Elevated” (look for the red-headed soloist Ekaterina Kondaurova in this). Then, in the final three . . .
